BETT 09 - Roland Unveils Online Art Films Collection for Students

The Roland Collection logo - click for high-res version

*

BETT 09 - Roland Unveils Online Art Films Collection for Students and Educators


BETT, Olympia, January 14-17, 2008, stand W41 (upstairs)

December 22, 2008 - Press Dispensary - Making its debut at BETT 2009 is The Roland Collection (http://www.rolandcollection.com/ ), the world’s largest independent library of films on art and literature, which is now offering almost 500 downloadable films to British schools, colleges, universities and education authorities, together with museums, libraries and galleries.

For around 45 years, the founder and curator of the Roland Collection, Anthony Roland (himself a successful film director and dealer in fine arts), has been painstakingly assembling this archive of films covering world art - from the cave artists at the dawn of human culture to the painters, sculptors and architects of the late 20th century and beyond – as well as modern and contemporary authors, playwrights and poets.

The archive contains around 500 titles from all over the world, with running times between eight and 90 minutes, and along the way has rediscovered and preserved a number of rare mid - late 20th century films which would otherwise have been lost, besides maintaining hundreds of acclaimed winners of international film awards.

As part of a major digitising programme (a considerable undertaking for a private collection), most of the films are now available online at http://www.rolandcollection.com for immediate download by students and educators, with many more to come.

Although it’s already treasured in national libraries and museums across the USA and mainland Europe, The Roland Collection is in fact a British institution, with the archive held in rural East Sussex, and its curator anticipates a high level of interest from British educational institutions and authorities; typically, these might buy an annual license to make the collection freely available to their students and teachers for educational use. Films can then be watched individually or by a class, or can be studied in great detail - sequence by sequence or even frame by frame - for meticulous research.

Anthony Roland says: “It’s an accident of history that this fabulous treasure is well known in the USA but has yet to have an impact on education in Britain. Where else can students of art, history, architecture and modern literature go to find such a wide range of knowledge and insight, all online and instantly available?”

With narrators including such luminaries as Dame Judi Dench, Sir Anthony Quayle, Glenda Jackson, Magnus Magnusson, Ricardo Montalban and Sir Peter Ustinov – and the less expected names of Max Ernst, Eugene Ionesco and Kenneth (Lord) Clark, the 500 films are made by 230 directors from 25 countries. They range from narrative documentaries and studies to wordless visual explorations – many themselves works of art – and cover art and architecture from pre-history and the early civilisations to the Renaissance, the Impressionists, Art Nouveau, Surrealism, Modernism, Pop Art and considerably more; with sections devoted to individuals such as Rembrandt and Picasso. Some films analyse whole movements in art – for example, Dadaism or Bauhaus - while others might explore an individual canvas or sculpture in depth.

The collection also explores the lives and writing of dozens of twentieth century literary figures and philosophers from across the world, including a ‘Writers Talk’ series in which many of the century’s most famous English-speaking novelists, playwrights and poets discuss their work on camera.

Anthony Roland concludes: “There is no other collection like this in the world. Yet for far less than the price of a textbook per person, institutions can put the entire collection on the screens of their students and teachers.”

Individual films can be downloaded for less than GBP £1.50 and annual institutional licenses cost from just a few pence per user. Many films are available with multilingual soundtracks.

Journalists attending BETT and interested in The Roland Collection will want to know of the press website at www.pressbett.rolandcollection.com . Those who want to review individual films or the collection itself can apply for a password and gain free access to the collection until the end of January 09. Passwords can be obtained on stand W41 at BETT or by contacting press officer Rob Shepherd on 0845 430 4433.

Journalists who won’t be attending BETT should contact Rob for further information and site access.

The Roland Collection stand will also feature exclusive preview demonstrations of the new Roland Image Mining technology: this enables users to search un-indexed sequences of moving images – including full-length films – and rapidly retrieve whole scenes, individual frames and even details within frames. Roland Image Mining, which will be formally launched in summer 09, is the subject of a separate press release.

- Ends -

Notes for editors
Notes for Editors
The Roland Collection is a tour de force of films on art and modern literature, unrivalled in its scope and depth. Continually developing, it brings together titles with a production value of around GBP £80 million, providing not only a considerable learning resource but a compilation with a philosophy and vision, and a rich interplay between artist, art work, film-director-as-artist, and viewer. The Roland Collection has full non-theatrical rights in all its films and can license them for a variety of uses.

Anthony Roland, founder, curator and former dealer in fine arts, himself directed 16 of the films in the collection. Since then, The Roland Collection has become a life’s work, but not his only work, by any means. Roland has also been the guiding hand behind several major artistic initiatives, including the giant 16 screen art arena, ‘Artscope’, which has toured the Edinburgh Festival, Washington D.C and New York; ‘Caress’, a three acre, 60 ton sculpture near Kingston, New York; and the millennium installation of ‘Talking Trees’ in London’s Regent’s Park. Roland Image Mining is his latest project and will be demonstrated hourly on The Roland Collection stand at BETT – stand W41.

Roland will be available on stand W41 for interviews.

For further information, please contact:
Rob Shepherd, Press Dispensary press officer
Tel: 0845 430 4433
Email:



Anthony Roland
The Roland Collection
Tel: 01797 230 421
Email:
Site: http://www.rolandcollection.com

*
For more information

The Roland Collection

Rob Shepherd, Press Dispensary press officer
Tel: 0845 430 4433
Email:



Anthony Roland
The Roland Collection
Tel: 01797 230 421
Email:
Site: http://www.rolandcollection.com

Images for download
Click on any image for a higher resolution version. To download to your computer, simply save the high-res image.

Anthony Roland CU

Anthony Roland, founder and curator of The Roland Collection. Photo: von Drehen


Anthony Roland

Anthony Roland, founder and curator of The Roland Collection. Photo: von Drehen


Films on art - The Roland Collection

The Roland Collection catalogue - the world's largest independent collection of films on art and modern literature, available online for download


Share
*